Oil Painting on Canvas instead of Wood.
Titian gets the credit for this but, in the 14 century a French Madonna with angels around 1410 in Gemaldegalerie, Berlin and in Italy Giotto di Bondone and Cimabue has some art pieces on canvas (cotton duck from the Latin word cannapaceus). In Italy the use of canvas was used rarely. Titian, the great 16th-century Italian artist, worked during a time when art was categorized as DESEGNO, emphasizing flat 2D design with meticulous page planning. Shapes, textures, and patterns were organized through careful thought, showcasing the artist's dedication. Art during this period often incorporated gold leaf, requiring a rigid support like wood. Change in art history happens slowly, and the transition from wood to canvas was gradual.
In the 16th century, Titian faced a unique challenge when commissioned to paint a large scene. The traditional Fresco technique was unsuitable, leading him to innovate. While observing shipbuilding for inspiration, he stretched canvas sail over bars, enabling a new painting technique. This marked the beginning of a choice between canvas and wood.
In museums, archival differences between painting on canvas or wood seem negligible. Personal preferences come into play, as painting on canvas emphasizes brushstroke texture, while wood offers stability. Understanding historical effects allows artists to make informed choices today.
For a soft portrait, canvas suits, while wood may be preferred for specific effects. Gluing linen on wood combines advantages. This historical insight applies to digital art, where filters emulate canvas texture.
Knowledge is Power!